{"id":27,"date":"2023-10-13T15:46:40","date_gmt":"2023-10-13T13:46:40","guid":{"rendered":"https:\/\/musikpsychologie.de\/en\/?page_id=27"},"modified":"2025-09-15T17:21:15","modified_gmt":"2025-09-15T15:21:15","slug":"good-scientific-practice","status":"publish","type":"page","link":"https:\/\/musikpsychologie.de\/en\/services\/good-scientific-practice\/","title":{"rendered":"Committee Good Scientific Practice"},"content":{"rendered":"\n

Committee Good Scientific Practice<\/h3>\n\n\n\n

The DGM supports the rules of good scientific practice that have been drawn up across disciplines by the German Research Foundation (DFG)<\/a>. The members of the DGM already adopted subject-specific recommendations on the handling of research data<\/a> (German only) at the 2018 general meeting.<\/p>\n\n\n\n

A panel of usually five experienced members of the DGM is dedicated to all issues of good scientific practice. The panel was first elected in September 2020 for a term of four years. Current members of the panel are:<\/p>\n\n\n\n

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Prof. Dr. Wolfgang Auhagen<\/strong> <\/i><\/a>
Martin-Luther-Universit\u00e4t Halle-Wittenberg <\/i><\/a><\/p>\n\n\n\n

Contact<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n\n
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Prof. Dr. Veronika Busch<\/strong> <\/i><\/a>
Universit\u00e4t Bremen <\/i><\/a><\/p>\n\n\n\n

Contact<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n\n
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Prof. Dr. Kai Lothwesen<\/strong> <\/i><\/a>
Hochschule f\u00fcr Musik Trossingen <\/i><\/a><\/p>\n\n\n\n

Contact<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"Foto<\/figure>\n<\/div>\n\n\n\n
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Prof. Dr. Gunter Kreutz<\/strong> <\/i><\/a>
Carl von Ossietzky Universit\u00e4t Oldenburg <\/i><\/a><\/p>\n\n\n\n

Contact<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n\n
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Prof. Dr. Dr. Claudia Spahn<\/strong> <\/i><\/a>
Universit\u00e4tsklinikum Freiburg <\/i><\/a><\/p>\n\n\n\n

Contact<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

For members of the DGM, the committee is the first point of contact when scientific misconduct is suspected or cases of conflict arise. The committee advises the board of the DGM.<\/p>\n\n\n\n

Contact the Committee<\/h4>\n\n\n\n

Reports to the committee are treated confidentially. Members can choose the contact person in the committee for the first contact in case of conflict. E-mail addresses are linked for each member, see “Contact (Mail)”.<\/p>\n\n\n\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

Committee Good Scientific Practice The DGM supports the rules of good scientific practice that have been drawn up across disciplines by the German Research Foundation (DFG). The members of the DGM already adopted subject-specific recommendations on the handling of research data (German only) at the 2018 general meeting. A panel of usually five experienced members …<\/p>\n

Committee Good Scientific Practice<\/span> Read More »<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":23,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"rank_math_lock_modified_date":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","footnotes":""},"class_list":["post-27","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/musikpsychologie.de\/en\/wp-json\/wp\/v2\/pages\/27"}],"collection":[{"href":"https:\/\/musikpsychologie.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/musikpsychologie.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/musikpsychologie.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musikpsychologie.de\/en\/wp-json\/wp\/v2\/comments?post=27"}],"version-history":[{"count":22,"href":"https:\/\/musikpsychologie.de\/en\/wp-json\/wp\/v2\/pages\/27\/revisions"}],"predecessor-version":[{"id":568,"href":"https:\/\/musikpsychologie.de\/en\/wp-json\/wp\/v2\/pages\/27\/revisions\/568"}],"up":[{"embeddable":true,"href":"https:\/\/musikpsychologie.de\/en\/wp-json\/wp\/v2\/pages\/23"}],"wp:attachment":[{"href":"https:\/\/musikpsychologie.de\/en\/wp-json\/wp\/v2\/media?parent=27"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}